#Astroworld mosh pit 2021 full#
Travis Scott at Astroworld 2021 – Rick Kern/Getty Imagesīy prioritizing it in such a way that his fans also then pride themselves on a willingness to both inflict and suffer pain, the result is this: a fan dancing on top of an ambulance in the midst of the Astroworld chaos, preventing care to arrive to those who need it most, while declaring later that the crowd is full of “ baby butt soft ass people“ and further justifying his actions with a proclamation of “we rage for real.” So, as Travis transitioned from an artist to a superstar that inspires cult-like devotion in fans, this was taken as gospel by his “ragers.”įrom asking all of his “real ragers” to jump the barricade to saying that he wanted to “see chaos” before his arrest at Lollapalooza 2015 and proudly tweeting that he would “let the wild ones in” if they broke through Astroworld security, to his declaration that “it ain’t a moshpit if it ain’t no injuries, got em’ stage divin’ from the nosebleeds” on his song “STARGAZING,” Travis has steered into this reputation for unbridled carnage in a way that differs from how your average moshpit is viewed. We don’t want you standing around, like, this is a no-stand zone… At the end of the night, you should be fucking throwing up.”Īmong advocating for the use of “anything you find that’s gonna get you lit, whether it’s your drugs, your water, your orange juice, your alcohol,” Travis’ comments seem to be less about the catharsis of the moshing experience and more about pushing yourself to the limit. We don’t like people that just stand, whether you’re Black, white, brown, green, purple, yellow, blue. “So in performances, I always wanted to make it feel like it was the WWF or some shit. “Since I was 6, I wanted to be a fucking wrestler,” he remarked. In a 2015 video with GQ entitled “How To Rage ,” Travis outlined his ethos on shows and the expectations that he placed on his fans.
#Astroworld mosh pit 2021 how to#
Ultimately, it is decisive actions such as these that make up for the lack of education on how to ‘properly’ mosh among the hip-hop community, and with that being said, it has made some of Travis’ own statements on the practice seem reckless by comparison.
Jarvis’ 2018 paper, “Social psychology in the mosh pit,” outlines the key safeguarding measures that are put in place at rock shows, including “ making contact with elbows and palms rather than fists, leaving nonmoshers untouched and helping up anyone who is knocked to the ground.” That doesn’t mean that it doesn’t come with a host of responsibilities that, while seemingly ingrained in the punk or metalhead’s psyche, haven’t been enforced in hip-hop in anywhere near the same way. What this means is, a mosh pit is a form of release, something that allows concert attendees to throw off the pressures of everyday life. The moshpit has been described by psychologist Matt Jarvis, himself a veteran mosher, as a “microcosm of social psychology in which a complex set of social processes allow a high level of physical contact with a minimum of antagonism and harm.” The idea of moshing is that it is “organized around not harming others,” and thus, it can also be seen as a not-actually-violent “ritual violence,” likened to a contact sports team such as rugby (per Jarvis).
Just as rock music first thrived and took anchorage on the mantles of rebellion and youth, those same forces have been the lifeblood of hip-hop since its earliest days. Rappers ranging from Playboi Carti to Trippie Redd will actively call for the formation of a pit onstage, while festivals such as Rolling Loud have leaned into their reputation for these frenzied scenes. But the lines between hip-hop and rock have grown increasingly vague in the years since, with a growing trend of rappers even preferring to adopt the term “rockstar” when referring to themselves. In that same vein, the aesthetic of metal, grunge, and punk shows that hip-hop fans would have once turned their nose up at, have now become a prominent part of the live rap show experience.
0 kommentar(er)
